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Jazz Festival
Simpson College Jazz Festival 2025 January 23rd and 24th
About the SCJF
Now in its 20th year, the Simpson College Jazz Festival has become a staple for promoting jazz and jazz education in central Iowa and beyond! The event is open to all high school jazz ensembles and serves as a qualifying event for the Iowa Jazz Championships. Alternatively, bands are also welcome to participate for “Comments Only”!
Held annually in January, the festival attracts some of the finest high school jazz ensembles in the state and prides itself on hosting some of the most renowned judges of any festival in Iowa.
Any questions or concerns about the festival can be addressed to the festival director Dr. Flint Angeroth Franks.
Registration for the 2025 festival has closed.
ATTENTION 2A/3A schools: Due to our performance slots filling up for Thursday, your registration will be put on our wait list. We will reach out if an opening becomes available. If interested in attending on Friday for CO and the clinic, please fill out a registration form and reach out to Dr. Angeroth Franks.
Simpson College Music Dept.
attn: Jazz Fest
701 N. C St.
Indianola, IA 50125
Registration will be limited to 16 groups per day; registrations received after we have met the limit will be placed on a waitlist.
Contact Us
If you have any questions about the Simpson College Jazz Festival, you may contact the following:
Festival Director
Dr. Flint Angeroth Franks: flint.angerothfranks@simpson.edu or or (515) 961-1637.
Music Office
musicatsimpson@simpson.edu
The 2025 Simpson College Jazz Festival will be held Thursday & Friday, January 23-24, 2025!
Send any emails to: Dr. Flint Angeroth Franks at
flint.angerothfranks@simpson.edu or call (515) 961-1637
Whether your band is performing on Thursday or Friday this week, I hope that you and your students will be able to attend the Adjudicator Concert on Friday,
Jan 24th at 7pm at Westhill Brewery!
There is no entry fee for the concert and it’s open to the general public.
Adjudicator biographies:
William “MoBetta” Ledbetter
William “MoBetta” Ledbetter, a native of Hampton, Virginia, is a multi-instrumentalist specializing in the upright bass. He graduated from UNCG Miles Davis Jazz Studies program in 2019, where he studied double bass and blended jazz with his foundations in the Blues, Gospel, and R&B. In December 2021, Ledbetter joined the U.S. Navy Band Commodores becoming their first African American bassist. Before joining the Navy, he played with The Piedmont Triad Jazz Orchestra, The Camel City Jazz Orchestra, and the John Coltrane All-Stars.
Anyone who has worked with or heard “MoBetta” knows that he is a driving force while performing. His drive and love for music and performance has captured the attention of many world-renowned artist. Ledbetter has worked with a plethora of artists including, Branford Marsalis, Delfeayo Marsalis, Sean Mason, and many more. He can be heard on Delfeayo latest album “Uptown on Mardi Gras Day”. He also performed at the historic Newport Jazz fest in 2023 with the Branford Marsalis Quartet.
Dr. Jason M. Hausback
Dr. Jason M. Hausback serves as Professor of Trombone at Missouri State University and is also the Interim Director of Jazz Studies. Prior to his arrival at MSU, Jason was active as a teacher and a performer in the Dallas/Ft. Worth area, teaching low brass at Eastfield College (Mesquite, TX), and Brookhaven College (Farmer’s Branch, TX). While at North Texas he was both a classical and jazz Teaching Fellow and directed the U-Tubes, who won the 2010 Eastern Trombone Workshop National Jazz Trombone Ensemble Competition. He also issued their first CD entitled “The U-Tubes” in the spring of 2011. Additionally, Jason was a member of the internationally-acclaimed One O’Clock Lab Band and was on the recording “Lab 2009,” which was nominated for two Grammy awards.
In 2008, Jason was the winner of the Eastern Trombone Workshop National Classical Bass Trombone Solo Competition, as well as the ITA Kai Winding Jazz Trombone Ensemble Competition. His trombone quartet “Bell Street Four” also won the 2008 ITA Quartet competition. Additionally, he enjoys travel and has had the opportunity to perform across the United States, as well as in North America, South America, Europe, and Asia.
Jason is active as a freelancer throughout the mid-south region of the US and performs regularly with The Lone Star Wind Orchestra (TX), REbL Trombone Quartet (TX), Symphony of Northwest Arkansas (AR), The Springfield Symphony Orchestra and Missouri Jazz Orchestra (MO), and Fountain City Brass Band (KS). He has filled in with several notable orchestras including the East Texas Symphony, The Tulsa Symphony, The Kansas City Symphony, The Arkansas Symphony Orchestra, and the Dallas Opera Orchestra. He has performed solo and quartet recitals at universities and conferences throughout the US as well as in Colombia and Spain. He has also performed in the Southeast Trombone Symposium Professors Choir, Trombonanza (Argentina) and in featured ensembles at several different International Trombone Festivals.
As a jazz musician, Jason has had the opportunity to perform as a sideman with many renowned jazz musicians including Dave Brubeck, Wayne Bergeron, Rufus Reid, James Carter, John Daversa, Dennis DeBlasio, John Fedchock, Jiggs Wigham, Marshall Gilkes, Lyle Mays, and John Mosca, among others. He has had the opportunity to perform at the Jazz Education Network Conference, the Wichita Jazz Festival, Blues Alley, Birdland, the Catalina Club, the World Saxophone Congress (Thailand), as well as at many of the acclaimed jazz festivals in Europe including Vienne, Umbria, North Sea, and Montreux. Jason also has an interest in early music and enjoys this diverse and challenging repertoire. He plays the tenor and bass sackbuts and performed at the 2007 Boston Early Music Festival and at the 2008 Misiones de Chiquitos Baroque Music Festival in Bolivia. His DMA dissertation was on the sonatas of Dario Castello, a seventeenth-century Italian composer who wrote extensively for the sackbut.
Jason has served on the staff of many prominent high school marching bands in Texas, including Marcus HS (2007-2015), Texas 5A/6A State champions five consecutive times. He has worked with several drum and bugle corps, including Capital Sound, the Madison Scouts, Spirit of Atlanta, the Boston Crusaders, Phantom Regiment, and most recently, The Crossmen. Jason has also been active as an adjudicator for marching band, solo/ensemble and jazz competitions. Most notably, he had the honor of judging several International Trombone Association competitions, as well as for the International Women’s Brass Conference, the American
Trombone Workshop, the Southeast Trombone Symposium, and the Big 12 Trombone Conference. Jason was President of the Missouri Music Teachers Association (2022-24) and formerly served as Vice President, as well as State Chair for the Music Teachers National Association (MTNA) from 2015-2022. He is also the faculty advisor for the Phi Mu Alpha Sinfonia Iota Rho Chapter.
Students of Jason have placed or won numerous competitions, including MTNA (National Winners), MMTA (Winners), The North Texas Low Brass Camp Collegiate Competition (Winner), International Trombone Association (Alternate) Big 12 Trombone Conference (Finalists), and the American Trombone Workshop (Finalists). Recent graduates of Missouri State University have gone on to assistantships at Columbus State University, The University of North Texas, the University of Michigan, Indiana University, and the University of Central Arkansas. The Missouri State University Trombone Ensemble was founded by Jason in 2015 and has had the honor of performing at the Midwest Trombone and Euphonium Conference (Charleston, IL), the St. Louis Low Brass Collective Gala Concert (St. Louis, MO), the Missouri Music Teachers Association Conference (Osage Beach, MO), Tulsa Low Brass Day (Tulsa, OK), Get Trombonafide (Wichita, KS), the Big 12 Trombone Conference (Lubbock, TX), the American Trombone Workshop (Ft. Myer, VA), and the International Trombone Festival (Conway, AR).
Jason holds the BM in Trombone Performance degree from the University of Wisconsin: Madison, and the MM and DMA degrees in Trombone Performance from the University of North Texas. His primary teachers include Rose Lewis, Dr. William Richardson, Dr. Vern Kagarice, Jan Kagarice, and Tony Baker. Jason is a S.E. Shires Performing Artist.
Erica von Kleist
Erica embarked on her career as an educator at the age of sixteen when she began a teaching studio in her hometown of West Hartford, CT. What started with a few students ballooned to a studio of twenty eager and talented youngsters. Erica had found a calling, and a passion.
Her performing career has spanned everything from touring with the Jazz at Lincoln Center Orchestra to performing in the pits of Broadway, in addition to countless studio albums and sharing the stage with luminaries from all walks of the entertainment world. But teaching has always been a common thread.
After graduating from the Juilliard School, Erica began a teaching artist position with Feel the Music, a nonprofit working with families of 9/11, specifically children who had lost a parent in the World Trade Center. While Erica was tasked with providing saxophone and piano lessons, she found that her most important job was to create a safe and fun space for the kids, many of whom needed a momentary escape from their grief and loss.
Over the years Erica has been a guest lecturer at the Manhattan School of Music, Juilliard, Stanford University, New England Conservatory, UNC Greensboro, and countless high schools. In addition, Erica has been a mainstay educator for Carnegie Hall’s NYO Jazz program as an adjudicator and faculty member.
While teaching experienced students is one of her joys, Erica has a passion for working with beginning improvisers. In 2019 she self published “A Cool Approach to Jazz Theory”, an informational workbook that walks novice improvisers through the most basic of theoretic concepts, taking the mystery out of chord symbols, progressions, extensions and alterations. The book has been used as a curriculum for several schools in the US, Canada and Cuba. Erica hopes that this book can become a go-to resource for students and band directors alike, and to prove to young improvisers that soloing is not scary, and that jazz is not complicated.
That same year, as a part of her Montana-based nonprofit Groovetrail, she launched the Flathead Ellington Project, an all-star jazz ensemble of high school students from the Flathead area of Montana where she was residing at the time. Along with three dedicated local band directors and a slew of excited parents and supporters, Erica trained the band and on the music of the great Duke Ellington, provided them with opportunities to perform for the community, collaborated with students from Jazz at Lincoln Center, and brought in mentors like DeWitt Fleming Jr. and Summer Camargo. The project culminated in the students taking a trip to New York to perform at the National Jazz Museum in Harlem. This program was the largest educational endeavor Erica has ever led, and was a massive and heartfelt undertaking. Sadly, the program did not repeat again the next year as the pandemic began to take hold.
In January of 2023 Erica relocated back to NYC with an opportunity to teach business and technology at the Manhattan School of Music. Backed with seven years of experience running her own for profit and non profit companies in Montana, Erica developed a curriculum aimed at providing basic financial and entrepreneurial literacy to budding music professionals. She’s now developed a series of courses on her website for musicians looking to improve their business chops, saxophonists wanting to get better on flute and more.
Currently Erica is on faculty at MSM, Jazz House Kids, and Carnegie Hall.
With a trumpet sound possessing a “beyond-category beauty” (Dan Bilawsky, All About Jazz), Australian-born trumpeter/composer Nadje Noordhuis’ deeply-felt, clarion tone and evocative compositional gift meld classical rigor, jazz expression, and world music accents into a sound that is distinctively her own.
Noordhuis is a member of the Maria Schneider Orchestra, Darcy James Argue’s Secret Society, the Anat Cohen Tentet, and leads her own ensembles. She has played on two GRAMMY-winning recordings, and seven GRAMMY-nominated albums across a variety of musical genres. She was a semi-finalist in the 2007 Thelonious Monk International Jazz Trumpet Competition and the 2010 National Jazz Awards in Australia.
Noordhuis has four albums of original compositions on her Little Mystery Records label, and two vinyl releases on Newvelle Records. Her 2015 contemplative album with pianist Luke Howard, Ten Sails, currently has over 17 million digital streams. Three tracks from this record as well as one from her duo release with vibraphonist James Shipp, Indigo, were featured in Oscar-winning Italian director Paolo Sorrentino’s latest film which competed for the Palme d’Or prize at the 2024 Cannes Film Festival. She has been commissioned to write for brass bands, trumpet ensembles (especially featuring electronics), big bands, and jazz artists internationally. Noordhuis is the Assistant Professor of Trumpet at Lawrence University in Appleton, Wisconsin.
Website: www.nadjenoordhuis.com
Instagram: @nadjenoordhuis
Facebook: https://www.facebook.com/NadjeNoordhuisMusic/
Q: Can we use your rhythm section gear?
A: Bands are welcome and encouraged to use our equipment, including drum kit, piano (grand), bass and guitar amps, and congas. We ask that groups using our equipment bring their own sticks and mallets, auxiliary cables, and if so inclined, cymbals.
Q: What ballot do you use?
A: We use the Iowa Jazz Championship ballot.
Q: Can we use your percussion gear/Vibes?
A: Bands are welcome to use our vibes, drums, piano (grand), bass and guitar amps. Please let us know in advance, and realize that we do not have duplicates of everything (vibes, for example) so you may not have all percussion gear for your warm up room. Everything will be available on the performance stage though.
Q: Where do we warm up?
A: Bands are allowed to warm up in the SC Band Room (Harris Hall) 30 minutes before they perform. There is a drum set, piano, bass, and guitar amps there that are available to be used.
Q: Where do the buses go?
A: Buses can drop off students and gear on Buxton Avenue, between Smith Chapel and the Music Building. (Look for a set of large glass doors that lead into the Music Building.) You will be met by a greeter who will show you where to go. Busses MAY NOT idle on the street while waiting to pick up students. They can wait at the Simpson Campus Services Parking Lot that is one block SE away from the Music Building, or elsewhere that the drivers deem appropriate. Drivers are to wait until the Band Director calls them via cell phone to pick up the students.
Q: Is there a time limit for our performance?
A: Bands will have 20 minutes on stage to perform, followed by a 20-minute clinic in a different location with the music building. Bands are asked to time their set list in advance to avoid causing delays in the performance schedule. Playing over the 20 minutes may result in a shorter clinic time.
Q: How do we get to Simpson?
A: Google maps is probably the easiest way to find directions – the address for Amy Robertson Music Center is 501 N Buxton, Indianola, IA.
Q: Where do the bands perform?
A: All bands perform in Lekberg Hall in the Amy Robertson Music Center of Simpson College.
Q: How do we receive judge’s comments?
A: We use Competition Suite to deliver judge’s audio comments to directors. The director’s email given to us will be registered to our event on Competition Suite allowing directors to hear the judges’ comments.
Q: Is there an admission fee for family and friends to hear the bands?
A: There is no admission fee for family and friends.
Q: Where can our students eat?
A: Many food establishments are just blocks away from the music building. There are also food options available in the SC Student Center.
Q: When are awards announced?
A: 1A and 2A awards are usually presented around mid-day after all bands in those classes have competed. 3A and 4A awards are handed out at the end of the day, usually around 6:30PM in conjunction with any planned performances from the Adjudicators.
Q: Due to weather and/or mechanical issues, we were unable to attend the festival. Can we have a refund?
A: Checks are held until after the festival for these scenarios. Bands unable to attend due to weather will have their checks returned or we will shred the check.
Contact US
Flint Angeroth Franks
- Assistant Professor of Music